![]() The conversation around the Midsommar dress Their improvised dialogue in their own language is translated, revealing how they subverted the white-focused narratives. Peck, in red pen, wrote in all caps: "DON'T HURRY GIVE IT WEIGHT! BLOOD!" And while you spend time examining these pages, don't miss the video about Navajo extras in John Ford films. Elsewhere in that hallway you'll find Gregory Peck's annotations on his To Kill a Mockingbird script, specifically his rousing speech trying to convince the jury of Tom Robinson's innocence. It's a part of the movie that's so loose it almost seems improvised, but instead here you see it came directly from Ephron's hand. On the left hand side of the document she's added the bit where Harry and Sally, walking through the Metropolitan Museum of Art, speak in funny voices, resulting in Harry asking Sally out for the first time. There, I found a page from the screenplay for When Harry Met Sally… annotated by screenwriter Nora Ephron herself, in impeccable penmanship. It's easy to overlook, but it contains some of the most thrilling treasures the museum has to offer, a look at process you're unlikely to get anywhere else. Tucked in what is essentially an alleyway between Spike Lee's collection and the Wizard of Oz room is a display about the art of the screenplay. I was also captivated by Lee's handwritten Oscars acceptance speech, noting that he wrote out, in all caps, "BROOKLYN'S IN DA HOUSE BROOKLYN WINS BROOKLYN WIN BOOM SHACKALACKA." Schulberg calls Lee "my main man." Lee's Jaws poster is signed by Steven Spielberg, who writes, " Jaws almost ate me alive!" There's a signed image of Akira Kurosawa, and another of Lee hanging out with Martin Scorsese, inscribed by the latter. He has an On the Waterfront poster signed by director Elia Kazan and screenwriter Budd Schulberg. My favorite part of Spike's room was his collection of signed posters and photos, which show the depth of his film love. When you enter the room full of Spike Lee's personal treasures your eyes will immediately be drawn to the highlights: The purple suit that Lee wore to accept his Oscar for the BlackKklansman screenplay, for instance the guitar Lee was gifted from Prince Mookie's jersey from Do The Right Thing. Spike Lee's posters and his handwritten acceptance speech Tickets are timed entry so make your reservation before you go. Consider this a loose guide about where to direct your eyes from another fan. In that sense, strolling through can be overwhelming, and while some displays immediately draw your attention, others you might overlook. ![]() Instead, it seeks to highlight the works of artisans and creators across time. The museum doesn't aim to tell a comprehensive history of filmmaking. The majority of the collection is housed in the "Stories of Cinema" galleries, which span three spaces-though the first, stationed next to the gift shop, is just a series of clips on screens. The long-in-the-works Academy Museum, from the same organization that hosts the Oscars, opened last September, and features four floors of galleries. The closer you look the more you'll get out of the experience. (Spoiler? For a movie released in 1941?) But the Academy Museum's collection is one worth spending time with. You'll probably look at Rosebud, the sled from Citizen Kane. You might hop across the Barbra Streisand bridge to take in the gorgeous California vista. You will probably take a selfie in front of "Bruce," the hanging shark from Jaws, that looms over the escalator on the third floor. When you visit the Academy Museum of Motion Pictures in Los Angeles there are some stops you will invariably make.
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